French Literature Reviews - 2026

Alternatives théâtrales, No. 82: Theatre in Berlin — Engaging with Reality
Theatre and Performance

Alternatives théâtrales, No. 82

Theatre in Berlin — Engaging with Reality

In many respects, German theatre serves as a model by championing the tradition of ensemble work and maintaining a direct connection to political and social realities. Edited by Barbara Engelhardt, this publication focuses specifically on the theatrical landscape of Berlin through the work of several prominent figures: Frank Castorf, Thomas Ostermeier, Christoph Marthaler, and René Pollesch. It features critical analyses, artist interviews, and external perspectives. This issue is co-published with the Festival d'Avignon for its 2004 program.

Co-publisher: Festival d'Avignon
2nd quarter 2004 - No. 82 - 104 pages - €17

German-language drama has long occupied a prominent place within European performance traditions, particularly through its emphasis on collaborative ensemble creation and direct engagement with contemporary public discourse. Within this wider context, the theatrical landscape of Berlin has functioned as a vital hub for experimentation and critical reflection, drawing international attention for its bold reinventions of classic texts and its acute sensitivity to social structures. This publication focuses specifically on the theatrical landscape of Berlin through the work of several prominent figures: Frank Castorf, Thomas Ostermeier, Christoph Marthaler, and René Pollesch.

Readers interested in modern European drama, contemporary stage direction, and the intersection of art and politics may find this volume relevant to their inquiries. Edited by Barbara Engelhardt, the publication features critical analyses, artist interviews, and external perspectives. This issue is co-published with the Festival d'Avignon for its 2004 program, containing 104 pages and priced at €17.