B. Delignon, La morale de l'amour dans les Odes d'Horace. Poésie, philosophie et politique. - Poetry and Poetics

French Literature Reviews - 2026

B. Delignon, La morale de l'amour dans les Odes d'Horace. Poésie, philosophie et politique.
Poetry and Poetics

Review published in Acta Fabula (April 2020, vol. 21, no. 4): Gautier Amiel, "For a Morality of Love and the (Possible) Meanings of Erotic Discourse"

Bénédicte Delignon

La morale de l’amour dans les Odes d’Horace. Poésie, philosophie et politique

Sorbonne Université Presses, 2018

392 p.

Price: 25€

ISBN 979-10-231-0576-6

OVERVIEW

In his erotic odes, Horace combines the exaltation of passion with the morality of love: while celebrating the power and beauty of desire, he nonetheless invites young girls to marry, matrons to be faithful, young men to exercise self-control, and older women to renounce love. In doing so, he breaks with the preceding tradition, from Sappho and the Latin elegists to Anacreon, Alcaeus, and Catullus. To understand this intrusion of morality into the erotic realm, one must take into account all that underpins Horatian lyric poetry: the ambition to become a voice for the city, the need to express allegiance to the new regime, and a keen interest in philosophy—including the Academy, the importance of which in his work has often been underestimated.

However, moral stakes remain inseparable from poetic choices. Horace acts as a philosopher precisely as a poet, playing on the convergence of strictly lyrical motifs with a philosophy-derived morality. It is also as a poet that he reconciles the exaltation of passion with morality through a skillful interplay of genres, forms, and their pragmatics. This book sheds light on how erotic inspiration, philosophical substratum, political context, and the poetic choices of a writer who viewed himself as the inventor of Latin lyric poetry intertwine within the Odes.

Horace occupies a prominent position in classical Latin poetry, particularly through his development of lyric forms that engage with cultural shifts. The Odes reflect a complex negotiation between Greek lyric models, such as those of Alcaeus and Sappho, and Roman literary traditions. Within this tradition, poetry often served as a vehicle for civic values and philosophical reflection, bridging personal experience and public concerns. Scholars of classical antiquity frequently examine how such texts mediate between aesthetic innovation and traditional Roman civic morality.

Bénédicte Delignon examines how erotic inspiration intersects with philosophical currents and political contexts in the Odes. Readers interested in classical Latin literature and the interplay between poetry and philosophy in antiquity may find this study relevant to their reading of Horatian lyric.