B. Fondane, Between Philosophy and Literature - Philosophy, Anthropology and Ideas

French Literature Reviews - 2026

B. Fondane, Between Philosophy and Literature
Philosophy, Anthropology and Ideas

Bibliographic reference: Benjamin Fondane, Entre philosophie et littérature. Textes réunis par Monique Jutrin, Parole et Silence, 2015, 2015. EAN13: 9782889185566.

Benjamin Fondane had contemplated collecting his articles into a volume, as he recalled in his literary testament written in Drancy. Therefore, by gathering these scattered texts alongside previously unpublished works, we feel as though we are fulfilling a wish of the author.

If these writings from the 1920s and 1930s still appeal to today's reader, it is because Fondane actively engaged in the major debates of his era—literary, philosophical, and ideological alike: concerning Dada and surrealism, Marxism, psychoanalysis, the links between poetry and metaphysics, and the readings of Rimbaud or Lautréamont, to name just a few subjects.

A great number of articles presented as reviews are, in reality, polemical texts where Fondane grapples with an author or an idea. Right from the start, we sense that he is tracking something, that he is on the lookout, and his diagnosis is frequently unsparing. He holds a grudge against those who wish to reach conclusions at all costs and claim to resolve contradictions, and he lambasts those who attempt to measure art using crude schemas or weigh it against established systems. This is always a deeply committed reading, often subtly magnetized by the thought of Lev Shestov.

Fondane follows Nietzsche's precepts, for whom the art of reading lies in the faculty of rumination: transforming another's text to nourish oneself with it and turn it into one's own material. Upon closing this book, the reader remains deeply impressed by the author's vast range of knowledge across such diverse fields. But above all, what imprints itself upon them is the voice of this singular reader, to whom nothing is indifferent, and the incisive gaze of one who misses nothing.

Benjamin Fondane, born November 14, 1898, in Iași, Romania, and died October 2 or 3, 1944, in a gas chamber at the Auschwitz-Birkenau extermination camp, was a Romanian-Jewish philosopher, poet, playwright, essayist, literary critic, filmmaker, and translator. He was naturalized as a French citizen in 1938 and wrote primarily in French.

Monique Jutrin is president of the Société d'Études Benjamin Fondane and director of the Cahiers Benjamin Fondane.

Table of Contents

Foreword

I Around Dada and Surrealism

From Dada to Surrealism

The Significance of Dada

Louis Aragon or Le Paysan de Paris

Paul Éluard: Capitale de la douleur

Revolution and Intellectuals

Pierre Reverdy

The Grand Ballet of French Poetry

Pure Poetry: From Paul Valéry to Tristan Tzara

Frontières humaines, by Ribemont-Dessaignes

Le comte de Lautréamont et Dieu, by Léon-Pierre Quint

II Poetry and Philosophy

The Unhappy Consciousness

Poetry and Metaphysics

German Romanticism

La littérature à la lumière du matérialisme historique, by Marc Ickovicz

Psychoanalysis of Edgar Allan Poe

Romania: Perspective and Selection by a Writer Happy to Be Partial

Ulysse dans la cité, by Ilarie Voronca

Notes on Poetic Translation

Wartime Poetry?

Writing on Poetry 33-43

III Theatre

Romania: A Century of Theatre

Right You Are (If You Think So) at the Atelier

Jean Cocteau

Open Letter to Antonin Artaud on the Théâtre Alfred-Jarry

IV Miscellany

False Concepts of Classical Art

Autonomous Art: Proust

Gogol, by Boris de Schloezer

The Last Days, by Raymond Queneau

Pérégrinations asiatiques, by I. de Manziarly

Essai sur la création artistique, by Liviu Rusu

Index of Names

Bibliography

This volume gathers articles and unpublished texts written during the 1920s and 1930s by Benjamin Fondane, fulfilling a wish expressed in the author's literary testament. Edited by Monique Jutrin, the collection reflects Fondane's active engagement with the major intellectual and artistic debates of his era, spanning literary criticism, philosophy, and ideological currents. The texts capture his critical encounters with movements such as Dada and surrealism, as well as his reflections on Marxism, psychoanalysis, and the relationship between poetry and metaphysics.

Readers interested in 20th-century intellectual history, European modernism, and the intersection of poetry and philosophy may find this collection relevant. Benjamin Fondane, born November 14, 1898, in Iași, Romania, and died October 2 or 3, 1944, at Auschwitz-Birkenau, was a Romanian-Jewish philosopher, poet, playwright, essayist, literary critic, filmmaker, and translator who was naturalized as a French citizen in 1938 and wrote primarily in French. The writings demonstrate Fondane's wide-ranging knowledge and his critical approach to authors and ideas, shaped in part by the influence of thinkers like Lev Shestov and Friedrich Nietzsche.