French Literature Reviews - 2026
A.-A. Kekeh-Dika, M. Graham, J. A. Mayes (eds.), Toni Morrison. Au-delà du visible ordinaire. Beyond the ordinary visible
Novel and Narrative Prose
Bibliographic reference: Andrée-Anne Kekeh-Dika, Maryemma Graham, Janis A. Mayes (eds.), Toni Morrison. Au-delà du visible ordinaire. Beyond the ordinary visible, Presses Universitaires de Vincennes, "L'imaginaire du texte" series, 2015. EAN13: 9782842924133.
Andrée-Anne Kekeh-Dika, Maryemma Graham, Janis A. Mayes (eds.), Toni Morrison. Au-delà du visible ordinaire. Beyond the ordinary visible (PUV, Saint-Denis, 2015, 18 €)
“Who could mistake a sign that clear?”, “Who could mistake such an obvious sign?”, we read in Home, Toni Morrison’s tenth novel, published in 2012. Drawing from their respective languages, primarily French and English, the authors of this book take this question seriously to explore Toni Morrison’s fictional and discursive universe across her novels, interviews, and essays. They focus on tracing the “minor mechanisms that govern daily life” and capturing what can be glimpsed beyond the surface of the ordinary world or word.
The volume opens with “Stones” and “Shelter,” two poems by Toni Morrison accompanied by previously unpublished French translations.
TABLE OF CONTENTS
The Unvarnished Truth, or the Powers of the Ordinary
Andrée-Anne Kekeh-Dika
From the Village to the World: Toni Morrison’s Critical Geography
Maryemma Graham
I. In the Hollow of Words… A Mercy
Textual Inventions: Reading A Mercy
A Mercy: Florens’s Word-Letters, or the Prose of the Ordinary World
Emmanuelle Andrès
Across Distances Without Recognition: Susceptibility, Immunity, and the Dilemma of Speculative Agency in A Mercy
Herman Beavers
Words of Stone: Reading A Mercy (with Derrida)
Claudine Raynaud
II. The Ways of the Object: Figuration, Circulation, Knowledge
Objects: Figuration, Significations, and the Circulation of Knowledge
Beyond “Manifest Destiny,” “An Idea of Heaven in Life, Not Afterlife,” or the Art of Learning to See Without Images
Claude Le Fustec
Of Things and Words: The Sensual Anchoring of a Philosophy
Annie-Paule Mielle de Prinsac
Photography and Prose Pictures in Beloved: The Frames of Emotional
Memory
Dana Mihăilescu
III. Ramifications
Transformation Beyond the Ordinary
“Neo-slave Narratives” and Literacies of Maroonage: Rereading Morrison with Dionne
Brand, George Jackson, and Assata Shakur
Greg Thomas
Interior Designs: Re-introducing Morrison / Translation as Black Literary Passaging—Beyond the Ordinary: Visible Afterword
Janis A. Mayes
This bilingual collection situates the work of Nobel laureate Toni Morrison within contemporary literary theory and African American studies. By focusing on the ordinary, the contributors engage with the subtle, everyday textures of Morrison's prose that often lie beneath her grand historical themes of trauma, slavery, and memory. Through close readings of novels such as A Mercy, Beloved, and Home, the essays draw on diverse intellectual traditions—including Derridean deconstruction and the study of neo-slave narratives—to examine how language, material objects, and sensory details construct meaning in her narrative universe.
The volume addresses critical questions about how literature captures the unvarnished truth of daily life and how translation acts as a form of cultural passage. By exploring the intersection of visual culture—such as photography—and prose, the book offers fresh perspectives on how memory is framed and preserved. This work is highly valuable for scholars and students of American literature, African diaspora studies, and translation theory. It provides deep insights into how Morrison's writing transcends the visible world to reveal the profound complexities of historical and personal experience.