Beyond the Glimmering Crown: Redefining Success in “Success is counted sweetest” - Emily Dickinson

American literature essay. Literary analysis of works and characters - Sykalo Evgen 2023

Beyond the Glimmering Crown: Redefining Success in “Success is counted sweetest”
Emily Dickinson

The mysterious Amherst, Massachusetts poet Emily Dickinson questions accepted ideas of success in her moving poem "Success is counted sweetest." Dickinson creates a picture of true contentment that can be discovered in the calm depths of internal affirmation and inner happiness, moving beyond the attraction of worldly wealth and approval from others.

The Crown's Illusion and Allure:

The poem begins with the seemingly straightforward phrase, "Success is counted sweetest." This statement grabs our attention right away and challenges us to consider what success really is and how to quantify it. But Dickinson swiftly defies our assumptions when she writes, "By those who never won it."

The meaning of the poem is called into question by this captivating turn. What exactly is true success, if the kindest people are those who never get it? Dickinson makes the argument that success's external manifestations, which are frequently represented by the "glimmering crown," are ultimately meaningless and disappointing. Seeking approval from others, through wealth, fame, or recognition, can lead to a sense of hollowness and dissatisfaction.

The Soul's Unsung Symphony:

Dickinson provides a different standard of success that is based on the inside. She writes:

"To hear the footsteps next door
In the evening, see it from a distance and know that victory is for you."

The peaceful happiness of anticipation and connection triumphs over the din of material accomplishments in this picture. More satisfying than any outward reward is the "neighboring step," a mark of true human connection. The poem honors the modest thrill of knowing one is liked and appreciated, as well as the basic joys of interpersonal communication.

The Heart's Currency:

In the next lines, Dickinson highlights the significance of internal validation once more:

"To feel the coming foot And hurry to the door And share the welcome smile Is victory."

In this instance, extending oneself and being nice and friendly to others turns into the real currency of success. More valuable than any tangible treasure is the "welcome smile," a sign of true connection. Dickinson discovers the definition of true fulfillment in these deeds of empathy and altruism.

A Tapestry Crafted in Seclusion:

Dickinson's poetry does not advocate for total seclusion or giving up on all goals. Instead, it's a kind prod to redefine success according to our own standards. The poem serves as a helpful reminder that the most significant triumphs are frequently woven into the subtle fabric of our inner life, where self-acceptance, real connection, and deeds of kindness make the most exquisite and durable crown.

In summary:

"Success is counted sweetest" is a potent example of how important it is to redefine success outside of the parameters of approval from others. Dickinson's poem serves as a poignant reminder that true contentment can be found in the peaceful symphony of the soul, where the music of authentic connection and self-acceptance reverberates most powerfully, rather than in the chase of ephemeral praises. Dickinson challenges the traditional notion of success and urges us to go on a self-discovery trip, where the most valuable prizes might be found in the soft glow of our own hearts rather than in the spotlight.

Extra Analysis Points:

The reader is drawn into the speaker's thoughts and emotions by the poem's intimate and reflective atmosphere, which is created by its brief lines and straightforward language.
The meaning of the poem is made more nuanced and sophisticated by the use of figurative language, such as personification and metaphors.
The poem offers deep insights into the human experience of accomplishment and fulfillment and can be read via a variety of perspectives, including psychological, philosophical, and social ones.