Andrew - “The Breakfast Club” by John Hughes

A Comprehensive Analysis of Literary Protagonists - Sykalo Evgen 2023

Andrew - “The Breakfast Club” by John Hughes

Andrew Clark: A Study of His Personality

In John Hughes' seminal 1985 film "The Breakfast Club," the archetypal jock Andrew Clark is revealed as a nuanced and multidimensional person. Initially portrayed as the archetypal popular athlete, Andrew changes dramatically yet subtly during the movie, displaying a devastating fragility beneath his supposedly self-assured appearance.

Type of Character: Dynamic

Dynamic in character, Andrew Clark has changed from the conventional jock to a more reflective and self-aware person. His encounters with the other prisoners, especially the disobedient John Bender, upend his preconceptions and make him face his own fears and difficulties.

Part in the Narrative

A key figure in "The Breakfast Club," Andrew Clark stands in for the conventional high school social structure. But as the movie goes on, his encounters with the other prisoners go beyond the strict social classifications, emphasizing how similar human experiences are to one another even in the face of cultural differences.

Context and Intentions

The film gradually reveals more and more about Andrew's past. His father puts a lot of pressure on him to perform well in athletics because he comes from a family of athletes. Andrew's objectives and self-perception are shaped by this pressure as well as the expectations of his classmates. Through his popularity and sporting accomplishments, he looks for approval and affirmation.

Characteristics of the Mind

At first, Andrew is presented as the quintessential jock—confident, fit, and well-liked. But as the movie goes on, his frailty and insecurities show through. Bender's rebellious demeanor readily provokes him, exposing his underlying dread of coming across as weak or insufficient. Andrew is first resistant to interacting with his fellow prisoners, but he eventually shows sensitivity and compassion.


The main way that Andrew's character is developed is through his interactions with the other prisoners. When they realize how much they have in common, their early hostility toward John Bender turns into reluctant admiration. His relationship with the "princess," Claire Standish, pushes his traditional social bounds and gives him a window into a world outside of his normal circles.

Acts and Development

Andrew gradually changes, and this is reflected in his actions throughout the movie. In an attempt to establish his supremacy, he initially responds to Bender's provocations with anger. But as the movie goes on, he shows a developing capacity for empathy and understanding, and in the end, he stands up for Claire against Bender's violent actions.

Challenges and Conflicts

The external pressure Andrew experiences to live up to his father's and his peers' expectations is the main source of tension in his life. Because of this pressure, he suppresses his own feelings and fears, which prevents real communication.

Patterns and Symbolism

Andrew's fame and athletic ability are symbols of the expectations society has of him. His transition from the conventional jock to a more self-aware person questions these notions and raises the prospect of overcoming social identities.

Critical Angles

Critics have acknowledged the complexity of Andrew Clark, emphasizing both his early shortcomings and his steady development. They have also highlighted his contribution to undermining the inflexible social structures of high school, highlighting the commonality of human experiences and the capacity for connection in spite of social divides.

In summary

The story of Andrew Clark in "The Breakfast Club" is a monument to the strength of interpersonal relationships and the capacity to defy social norms. He eschews his stereotyped jock attitude and embraces his own weakness and vulnerabilities via his relationships with the other detainees, displaying empathy and personal development. Andrew's metamorphosis serves as a reminder that people with complicated emotions, motivations, and the capacity for real connection are hidden beneath the surface of society categories.