The Bedford Glossary of Critical and Literary Terms - Ross Murfin 2018
Dithyramb
Dithyramb: Originally a wild hymn sung by a chorus in honor of Dionysus (the Greek god of wine); now a term applied to any highly spirited, zealous, or frenzied speech or writing. While its origins are debated, the dithyramb appeared in ancient Greece around the seventh century B.C., was given its traditional literary form by the poet Arion (c. 600 B.C.), and became the subject of competitions during festivals around the fifth century B.C. Many scholars trace the development of Greek tragedy to the dithyramb, which continued as a form in its own right.
EXAMPLES: John Dryden’s Alexander’s Feast (1697), a stanza of which follows:
The praise of Bacchus then the sweet musician sung,
Of Bacchus ever fair and ever young:
The jolly god in triumph comes;
Sound the trumpets, beat the drums;
Flushed with a purple grace
He shows his honest face;
Now give the hautboys° breath; he comes, he comes!oboes
Bacchus, ever fair and young
Drinking joys did first ordain;
Bacchus’ blessings are a treasure,
Drinking is a soldier’s pleasure;
Rich the treasure,
Sweet the pleasure
Sweet is pleasure after pain.
The opening lines of “Jazz to Jackson to John” (1988), by Jerry W. Ward Jr., provide a more modern (but similarly musical) example of dithyrambic verse:
it must have been something like
sheets of sound wrinkled
with riffs and scats,
the aftermath of a fierce night
breezing through the grits and gravy;
or something like a blind leviathan
squeezing through solid rock,
marking chaos in the water
when his lady of graveyard love went
turning tricks on the ocean’s bottom;
or something like a vision
so blazing basic, so gutbucket, so blessed
the lowdown blues flew out: jazz